Tastes
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Starward Two-Fold Double Grain
Other Whiskey — Victoria , Australia
Reviewed December 29, 2020 (edited August 5, 2022)Re-taste and my WHISKY OF THE YEAR for 2020 Nose: Orchard fruits (red apple, pears), red berries, pale malt extract, cereal compote, white grape juice, baked banana. There is depth and good structure and with time in the glass the nose gains body, with a little caramel and syrup emerging. There is a restrained and elegant cask influence in evidence with a whiff of sandalwood. The nose displays an overall excellent, satisfying balance. Palate: Semi-sweet cereal arrival with just a hint of warm spices and pepper at the edges. The wine-cask influence comes through in the development with subtle grape and berry tones but the light malt character balances this. Fruit (plum, apple, dates, nectarine) is apparent on the later palate together with some fudge and nutty flavours. The texture is very good – rich and comforting but not heavy. Finish: Medium. The palate progresses seamlessly into a mildly spiced (cinnamon, mint and white pepper) finish with a flourish of malt and red wine berries in the aftertaste. The profile is an interesting combination of influences. It has an aroma that is not unlike a fruity Speyside single malt, the texture of a velvety-soft Irish blend, and a palate that is a combination of both with the addition of full-bodied wheated-bourbon notes. Even though this is a blend it has a profile similarity to older Bushmills, but in the end it is 100% Aussie. This whisky is pleasant to sip as a session dram, swims well with water and is fine as a mixer. It’s in good supply, well-distributed and affordable, and represents great value for money. This is easily the most improved whisky I’ve tasted for some time and it is very pleasing that an Australian distillery has brought such an affordable quality product to market. Highest Recommendation. “Good” : 84/100 (3.75 stars) -------------------------------------- BACKGROUND I first reviewed Starward Two-Fold here two years ago (that review now appears below), and at the time I considered it average at best. That was based on a tasting of the very first batch, which at the time was a marriage of New World Distillers' own pot-still malt with column-still wheat spirit sourced from the Manildra Group in New South Wales. The two components were then aged in ex-wine casks at the distillery's Melbourne warehouse. While the blend recipe is the same (as far as I can tell) the distillery has improved this whisky considerably over the last two years. The current batch has the same overall character as the original bottling but it is now a more relaxed, mature and refined product. I believe this is due in no small part to changes in maturation and cask management that are similar to what is happening throughout the local industry. This is the first time I’ve declared a Whisky of the Year. I’ve resisted doing so in the past as given the diversity and quality to be found I could easily list 10 whiskies and any one could qualify as number one, depending on the chosen criteria. However in this case I believe the title is merited. This is far from being the “best” whisky in the world, or even in Australia, but it is a good one that ticks just about every box, and it deserves more publicity. Almost every Australian whisky I've tasted for the last 20 years has been a "cottage-industry" expression that seemed to try too hard, miss the target, or be far too expensive. Sometimes all three. This is different - it is a quality mass-market product like Johnnie Walker Black, and I will be buying it more regularly in future as a standard blend for the bar. ----------------------------------------------------------------------- Review originally posted November 18, 2018: Nose: A Fragrant grain aroma leads into light fruitiness backed by quite a bit of fresh, vigorous oak. A dash of vanilla and a little minty spice add interest. It's crisp with a juicy background and there's a whiff of apple Danish and lemon juice. Palate: A nicely balanced arrival - a little sweet but with some developing spice. Mainly malty cereal to begin with, but as it develops some rather young and "hard" cereal emerges, which is the wheat spirit contribution. Just as you think it's over, a soft flourish of faintly fruity wine emerges to add sweetness and some mid-palate depth. Finish: Medium. The predominant cereal flavours gently subside. There is a tannic and slightly bitter/sour cereal nip at the end that is coming from the casks and the grain whisky. A dash of water improves the palate and finish a lot by bringing out some more sweetness to add balance. This whisky comprises 40% pot-still malted barley spirit produced by Starward, blended with 60% continuous still wheat-grain whisky produced by the Manildra Group at their distillery in Bomaderry in NSW. The two components are aged in ex-red wine barrels at Starward distillery. The nose is pleasant but lacks a bit of depth and authority, the palate is well constructed, if a little simple, and the finish is OK up until the end. If it was a touch softer on the aftertaste this would be a fine blended whisky. It is just acceptable for sipping over ice, but works best as a mixer - in fact it works very well with cola. Overall it is very reminiscent of mid-range blended Irish whiskey. Starward has created this whisky to capture a slice of the bar-trade and the upper-tier blend / lower-tier malt market. Their media releases specifically talk about it in these terms and it is priced at AUS$65 (US$47), which is uncommonly low for an Australian whisky. This is the first major product to come to market from Starward since they moved to the new Port Melbourne premises two years ago, and was made possible thanks to substantial investment from a venture capital business backed by Diageo. The distillery says it is aiming to produce 500,000 litres of alcohol a year from 2019 onwards, with half going into this whisky. It will be available in the US and Europe from January 2019. Although it is labelled as "Australian whisky" this product is what most people would call a blend, however "blended whisky" is not a legally required or recognized term in Australia. For example, a distillery can say on the label that their whisky is "a blend of malt and grain whiskies" (as this is) but they are under no obligation to do so. It's great to see a local distillery achieve this volume of production and create what is (I think) our first home-grown mass-market blended whisky. However it's a pity that the wording on the label is so coy. I wish they had just come out and said plainly and proudly that it's a blend. I can understand why they were timid about doing this, but together with the inference that it is entirely made in Melbourne (when in fact more than half the contents comes from 800km away in a different state) it all starts to smell of marketing spin, and that's a taint far worse than any off-note in the whisky itself. "Average" : 77/100 (2.5 stars)65.0 AUD per Bottle -
Appearance: Translucent amber. Aroma: Gentle, sweet, mildly floral/herbal with a soft orange blossom presence. It’s like a medicinal version of Cointreau. Flavour and Texture: Warm, sweet, citrus and spices (cloves, saffron, cinnamon, cocoa, vanilla pod). The texture is full, slightly syrupy but not cloying. Towards the finish a mild gentian bitterness comes through and the herbal presence is more prominent. The aftertaste is lingering and well balanced. The nose is less medicinal than many amari. The palate, also, is gentle and soft with no strong or challenging flavours. The foundation is sweet and syrupy but never becomes sickly. It is similar to Lucano, but the balance is towards sweet floral rather than herbal notes and it is less bitter. This is a very easy amaro to enjoy, and arguably the perfect introduction to this class of drinks for a beginner. The profile is similar to that of a liqueur and less “robust” than some amari, and the mouth-feel is satisfying and rich. If you enjoy liqueurs such as Drambuie, Grand Marnier or Benedictine this is like a soft, slightly floral and less alcoholic younger cousin to those drinks. Most enjoyable, this is a good amaro, but not at the top of the totem pole. The official rating here of 83 is fair. “Good” : 83/100 (3.5 stars)55.0 AUD per Bottle
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Kilkerran Heavily Peated Batch #3
Single Malt — Campbeltown, Scotland
Reviewed December 28, 2020 (edited January 19, 2022)Nose: Oatmeal, sour cream, pine-resin, sweet but reserved peaty notes. There’s an almost mescal-like vegetal aroma, a sharp flinty mineral quality, a dot of vanilla and just a hint of plastic. This smells very young and somehow dilute. There is an alcohol prickle that can be tamed by adding a dash of water. This broadens the nose slightly, but don’t add too much as it can suddenly drown and lose all presence. Palate: Briny arrival with salted lemons, ash and some sweet-and-sour cereal notes. The mouthfeel is oily but thin, and offset by the astringency of a high alcohol presence. Cabbage-water, iodine and a little pepper. It’s not a very complex palate but adding a dash of water helps here as well by bringing out quite a lot of sweetness to balance the otherwise salty profile. Finish: Medium/short. The vegetal notes tail off into a mild preserved lemon aftertaste with a little sour peat. This whisky has the sort of nose that could easily be objectionable. There are rubbery, feinty aromas but it is saved by the grace of being reserved, dry and austere. It reminds you at every juncture that it is very young. The palate likewise is narrow and the cask influence is minimal. For a whisky that is advertised as “heavily peated” the subjective peat level on this is surprisingly low, but to be fair it is also labelled “Peat in Progress” and should be tasted with those words in mind. This is not really a finished product. It’s a progress report ; a memo from the developers ; a dispatch from the front lines. Like the other Kilkerran Heavily Peated batches this is a glimpse of what will come with time, just as the “Work in Progress” expressions gave us a window onto what would eventually become Kilkerran 12. I would be very surprised if this whisky is even 5 years old, but the brilliance of a fine-cut gem is there already and I’m sure when the descendant of this whisky is released with an 8, 10 or 12 year age statement it will be very good. It’s interesting but I would not recommend this to a novice or even to an experienced but casual single-malt drinker. This expression is mostly of interest to the whisky-nerd, particularly Springbank/Glengyle geeks. “Above Average” : 81/100 (3 stars) [but one day this will be a 4 star whisky for sure]130.0 AUD per Bottle -
Appearance (neat): Light peridot/emerald green. Natural colouration (see below). The louche is slow and measured with thick, oily swirls being the first sign. These grow into fine wisps of cream and the louche proper begins at about 1:2. Depending on whether you use sugar and how fast you dilute you may see a layer of sugar saturates at the bottom of the glass and another of oils at the top of the liquid, with a pale yellow cloud suspended between. This is not unusual but it is quite marked here. The final appearance is milky white jade with yellow highlights. Aroma: Complex anise, coriander, hyssop and wormwood profile with floral, mint and citrus notes. The aromas are tight when neat but bloom with the very first drops of water and combine to create a clean, fresh herbal mélange by about 1:3-1:4. Flavour: Sumptuous, sweet entry at all dilutions from 1:3-1:6, but I’d recommend a dilution of 1:4-1:5 as I feel the finish is best at that point. At low dilution there is a bitter quality to the aftertaste but this disappears completely once the strength is reduced to below about 20% abv, and at that point the finish develops numerous sweet notes. There is an herbal complexity and the slight woody, "twiggy" character that is often found in good absinthe. Hard-core devotees may prefer not to use any sugar, but personally I like the decadence of it with one cube. Overall the palate is rounded, complex and satisfying with a mouth-coating texture and good length. This is quite a luxurious absinthe and a new favourite. It's better than Pernod as an entry-level absinthe, but to be fair it is half as expensive again so maybe "entry-level" is a stretch. The presentation is creamier than Pernod, there is a soft citrus note and the bitter late palate taint in Pernod is not present. Now – THIS IS IMPORTANT: If you see reviews that criticize this absinthe for being artificially coloured, or dismiss it because it is just a mix of oils in neutral alcohol, then ignore them. Such reviews are referring to a very early version of the product. They are now out of date and only of historical interest. La Fée (i.e. The Fairy) was the first absinthe to be produced in France after the prohibition laws were repealed. However when launched in 2000 it was not in its current form and was deservedly criticized. It was a first attempt to revive the spirit, artificially coloured, and not distilled from scratch using botanical ingredients. It was rough and harsh in profile with an intense and unbalanced anise (maybe even star anise!) presence. I suspect the first batches were rushed to market but sadly they continued to produce that early product for some time and it gathered a lot of bad press. I remember tasting it in 2004 and the note in my journal from then simply says "inferior - avoid in future". However in 2013 the producers did the smart thing and overhauled the spirit, inventing a new formula that was more accurate to pre-ban absinthe recipes. They revised the production approach, moved to 100% distillation from fresh botanicals and started using a traditional chlorophyll colouring process. They successfully transformed their product into something significantly better and should be congratulated for so doing. La Fée is marketed now as “La Fée Parisienne Absinthe Supérieure” and the label looks just slightly different to the one in the Distiller listing thumbnail. I doubt any of the old pre-2013 stock would still be available, but you can easily tell the new expression by the green plasticized coating on the bottles which is to prevent light from deteriorating the natural colour. This is a very good and pleasantly addictive absinthe that leans towards a sweet profile. The official Distiller notes are insightful and right on target. “Very Good” : 87/100 (4.25 stars)150.0 AUD per Bottle
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Appearance (neat): Brilliant yellow quartz/zircon with a green tinge, transparent and gleaming. The louche begins almost immediately with the bright yellow tone preserved but turning cloudy, like yellow jade. As the dilution increases the liquid turns pale, eventually settling into a cloudy lemon colour that is similar in appearance to cloudy limoncello. Aroma: Herbal, minty, citrus (lemon). Anise and fennel are apparent but restrained in comparison to most pastis and there is a petit wormwood aroma. The louched aroma is like a cool morning breeze, lightly scented with anise and citrus. Flavour and Texture: In a 1:4 dilution this is deliciously refreshing, with mild hints of anise, fennel and petit wormwood (but no grand wormwood). There are fruity, citrus notes and a relaxed herbal sweetness. The texture is full-bodied and satisfying. It is very clean and cooling and there is a touch of liquorice in the aftertaste. In comparison to its stable-mate aperitifs Ricard and Pastis 51, and also to many other pastis, Pernod has a lower star-anise content, a prominent sweet citrus character and greater overall complexity but it is not the most complex pastis by any means. There is just enough anise/liquorice character to make the drink interesting, but not enough to become one-note or overpowering and I much prefer it to Ricard. Actually, it’s debatable whether Pernod is a “genuine” pastis. It shares many characteristics with such spirits but there are things that set it apart and it’s more accurate to call it an “anise liqueur” (as it states on the label) that is positioned half way between absinthe and pastis. It tastes just a little more like an absinthe than a pastis, but it has pre-added sugar and a much lower alcohol content than any absinthe, which makes it more approachable and easier to prepare. I enjoy it a great deal and I think it is only challenged by the very finest of the true pastis, such as Henri Bardouin and Lemercier 1811. “Very Good” : 87/100 (4.25 stars)50.0 AUD per Bottle
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Les Fils d'Emile Pernod Bourgeois Absinthe
Absinthe — Pontarlier, France
Reviewed December 21, 2020 (edited August 5, 2022)Appearance: Pale peridot green/yellow, clearly naturally coloured from botanical maceration. The louche has a pleasing density and an pretty opalescent green hue with pearl highlights. It begins to louche quickly which is to be expected from a lower abv absinthe. Be careful not to over-dilute this one as it is only 55% abv. Nose: Fresh anise and fennel with a complex and inviting vegetal/herbal backdrop. Wormwood is present for sure, and ties the nose together with consummate precision, but the fresh notes are the standout here. This is a crisp, light nose – not bright nor hard – but relaxed and almost fruity. There is a sprightly citrus quality. Palate: Crisp, fruity and with good wormwood character. It is creamy and has a silky-satin texture. Beautifully composed. It’s not the most intense absinthe palate I’ve experienced by a long shot, but it is very appealing and has no off-notes at all. There is a foundation sweetness to the palate and a lack of “challenge” from the 55% abv that is welcome and pleasant. The finish is crisp, light and sweet. Refreshing and almost effervescent with a sparkling “joie-de-vivre”. A lovely smooth, fresh and light summery absinthe. Excellent stuff. At the comparatively low abv of 55% this might seem the poor cousin of the various absinthe offerings, but you could not be more mistaken. This is a richly flavoured, high grade absinthe crafted with expertise and passion. I would recommend it to anyone intent on exploring this spirit for the first time as a highly approachable and playful expression that does not pull punches. I'd also recommend a louche of no more than 1:4 as this will reduce the spirit to a little over 12%, which is the default sweet spot for most absinthes. Taking it higher rapidly drowns it, even just to 1:5 dilution. The original Bourgeois Absinthe was a famous brand that was advertised throughout France on a poster with the image of a kitten tasting a louched glass of absinthe. Sadly the original company disappeared a long time ago during the "dark days" but the recipe was revived by Les Fils d'Emile Pernot who have captured a glimpse of the original spirit with finesse and style. I’d recommend this absinthe highly to both novices and devotees of la fée verte. “Very Good” : 87/100 (4.25 stars)80.0 AUD per Bottle -
Drumshanbo Gunpowder Irish Gin
Modern Gin — Ireland
Reviewed December 18, 2020 (edited December 30, 2021)Nose: Very citrus-forward. Orange, lemon and lime with floral aromas in support. Spicy notes are low-key here, there is a trace of juniper, cardamom and anise but these are foundational and not the stand-out fragrances. Over time an almost minty aroma comes out. Palate: Balanced arrival with a notable chilli and white pepper kick that expands as it evolves. Bright citrus flavours, but they are crisp rather than sweet. Over time there is a tea-like note, but if I did not know from the start that this contained green tea I probably would not have picked it. Very well integrated and soft throughout, but with a prominent crisp, fresh juniper presence. Finish: Medium. The peppery juniper notes from the palate smoothly segue into a refreshing and lightly citrus aftertaste with delicate seed-spice notes. At no point is there any bitterness or harsh quality to this gin. So, it’s funny how things happen. I was discussing this gin here earlier and lamenting the fact that it is expensive in Australia. Later I went for a stroll down to one of the local liquor stores to buy some aperitivo and what should I find but Drumshanbo at $20 off normal price. I couldn’t walk past that (the quoted price below is the normal retail). I definitely get why this is an award-winning gin and why it is so popular on this site (with the community, anyway – the official rating is too stingy). The distillation is excellent with the macerated botanicals handled gently to provide a solid support for a big bouquet of lighter citrus elements and tea leaves that have been vapour infused. This preserves their delicacy and prevents bitter notes forming. It reminds me a little of Roku gin, but because of the citrus element and the fresh floral tones, not specifically because both contain tea. I’d definitely buy this again but whether I bought it in preference to Roku would depend entirely on the relative cost of the two products at the time, and Roku is usually 2/3 the price. There is also a crisp, bright juniper note that reminds me a little of Cotswolds, but this is not so juniper-heavy. I’d certainly recommend it. So what is it with Ireland, huh? Three of my top 10 gins now hail from the Emerald Isle – Dingle, Method & Madness and as of today, Drumshanbo. By the way - if you use this in a G&T (where it is delicious) don't add a slice of lime or lemon, if that is your usual habit. This has enough delicate citrus notes to be fine without help. “Very Good” : 87/100 (4.25)80.0 AUD per Bottle -
Cappelletti Pasubio Vino Amaro
Amaro — Piedmont, Italy
Reviewed December 17, 2020 (edited September 24, 2024)Appearance: Cloudy but almost transparent brown. A little like an old oloroso sherry, but not as clear. Aroma: Blackberries, blueberries, pine trees, juniper, red vermouth and cider vinegar. There is a secondary aroma that is reminiscent of ale and sarsaparilla, and a very faint hint of ash. Palate: Sweet and honeyed flavours on the entry but it is not at all heavy. These give way to mint and pine over a background of blueberries, grape skins and red grape juice that is just on the turn. A further development brings herbal notes and a mild bitterness from gentian and wormwood. It has an excellent mildly warming and lip-smacking quality. Pasubio is an interesting amaro, being one of the rare examples that is based on aged red wine rather than neutral spirit. This gives it a totally different profile to most and it can take you by surprise on first sip. I tasted it for the first time last night and initially I didn’t like it much, in fact it seemed quite alien. After another small liqueur glass I started to get where it was coming from but I still wasn’t that impressed. I had intentionally not read the label so as not to influence my tasting. This evening I poured another glass and this time read the label. “Vino amaro” it clearly says. Duh. Suddenly everything fell into place and when I nosed it with the knowledge that this is wine-based it seemed familiar and well-composed. It’s amazing how a tasting can transform when you fit in a missing piece of the puzzle. This is a well-crafted amaro of the “alpine” type. It has similarities to Braulio but is not as crisp. It is very different to sweet amari like Montenegro, Meletti and Vecchio Amaro del Capo, and it does not have the brisk citrus notes of Averna or Lucano. It’s probably one of the least immediately appealing of the different styles, but it is satisfying once you get to know it. There is a vague suggestion of both vermouth and sherry about it. “Very Good” : 85/100 (4 stars)55.0 AUD per Bottle -
Lillet Rouge
Other Aromatized Wine — Bordeaux, France
Reviewed December 17, 2020 (edited August 10, 2022)Appearance: Burgundy. Aroma: Full-bodied, fruity red wine with spice and citrus notes – it brings mulled claret to mind. Flavour and Texture: Sweet and bitter in equal measure on the entry. Oak tannin, quinine and a bright fruity bitterness that fades to a full but dry finish. There is a crisp and lively character throughout. Lillet Rouge is less well-known than its illustrious older sibling, which is a great shame. While the Blanc is indispensable as a bar ingredient (and delightful by itself) the Rouge expression is more suited as the base for punches, spritzes, and other long drinks. It’s a cousin to Italian aperitivi such as Aperol and Select, but it has a richer and more elegant profile as the base is full-bodied red wine. It is also a cousin to Dubonnet and Byrrh. When used as a long drink base it becomes similar to Lambrusco, rouge Moscato, Sangria and other light summer wines and punches. It teams spectacularly well with red meat, particularly charcoal-grill meat on a hot afternoon. Lillet Rouge is excellent neat over ice with a slice of orange as a refreshing aperitif and it mixes very well with tonic to make a longer drink (as does Lillet Blanc). For those with a sweet tooth try substituting sparkling lemonade for tonic to make a very easy-drinking cooler, but if that is too sweet then try soda water of varying types. I’ve found Fever Tree Elderflower Tonic to be a marvelous combination. Incidentally, if you are watching your weight and trying to find a long spritz-like cooler for summer it's worth noting that the bitter notes in Lillet Rouge precisely mask the taste of artificial sweetener in no-sugar lemonade. The combination of the two is brilliantly balanced. It's a delicious aromatized wine that deserves to be more widely acknowledged. Buy a bottle and start experimenting - it will work a treat in any applicable context. “Excellent” : 88/100 (4.5 stars)45.0 AUD per Bottle -
Appearance: Creamy with a very faint pinkish/brown tinge. Thick legs. Aroma: Nutmeg, fresh-baked cinnamon rolls, a hint of vanilla and malted milk. Flavour and texture: Creamy and sweet on the arrival with an unmistakable nutmeg and cinnamon flavour. Not unlike spiced milk (but better). The texture is creamy, but not at all cloying or oily. The palate fades fast and it's very addictive. This is a cross between an herbal and a nut liqueur with a creamy texture that comes from the use of tiger-nut meal (think almond milk and you're not too far off). The direct inspiration is horchata. Imagine a glass of refreshing almond and rice milk, slightly thickened and sweetened, laced with a mix of baking spices and rum and served ice cold on the rocks. It's a successful pseudo-dairy liqueur which is suitable for those who are lactose and/or gluten intolerant. The nut-meal milk texture makes it thick and satisfying but also crisp and refreshing, without the fatty cloyingness of milk. If you like “Coole Swan” white chocolate liqueur or "Rumchata" then give this a try – it’s a relatively similar profile. Also, please note, this product was first marketed as “Licor 43 Orochata” but after disappearing for a short time it re-emerged under this new name. The packaging is virtually identical and the liqueur itself is the same, as far as I can tell. Mrs Cascode loves this and was delighted to see it return to the liquor market shelves. "Good" : 83/100 (3.25 stars)40.0 AUD per Bottle
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